Art: how to use it

I recently published a review of Emanuele Trevi’s last book, Sogni e favole. Un apprendistato. The review is titled L’uso dell’arte and was published by the online magazine Doppiozero.

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Pulsations of consciousness

I published an article titled Pulsazioni della coscienza. Forma breve ed emozioni primarie nella scrittura di Michele Mari, within the volume Brevitas. Percorsi estetici tra forma breve e frammento nelle letterature occidentali, edited by Stefano Pradel and Carlo Tirinanzi De Medici (Trento: Dipartimento di Lettere e Filosofia dell’Università degli Studi di Trento, 2018).
The article is based on the assumption that literary works are mostly originated by the attempt of representing meaningful events determined by the interactions between the individual mind and the natural and social environment, resulting in the arousing of deeply felt and often violent basic emotions. As a consequence, in the style and the very structure of literary works is marked the need of giving shape to these emotional nuclei.

What follows is the incipit of the article.

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Anger as misshapen fear

I’m pleased to announce the release of the new issue of the journal Emotions: History, Culture, Society, which includes my article Anger as Misshapen Fear: Fascism, Literature, and the Emotional Body

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Daily War. Kraus, Bontempelli, Delfini

One hundred years ago, on November 11, was signed the armistice that ended the First World War. I propose here a reflection on the relationship between the war and the media system, as elaborated in literary texts.  

Nessuna poesia può essere l’immagine fedele del nostro mondo. La fedele, la tremenda immagine del nostro mondo è il giornale. È un pozzo di sapere. Non sa niente. Continua a voler sapere.

Elias Canetti, Il cuore segreto dell’orologio

 

Dormi ma senti frinire
remote
le rotative
rotanti nell’oscurità
per dare forma
all’aldiquà.

Valerio Magrelli, Didascalie per la lettura di un giornale

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Mis-Shapings

On Thursday 13th September 2018 will take place at Queen Mary University of London (Mile End Campus, Arts One Building, Room 128) the international conference Mis-Shapings. The Art of Deformation and the History of Emotions. I’m organising the conference, as coordinator of the Marie Skłodowska-Curie research project Misshaping by Words, in association with the Queen Mary Centre for the History of Emotions.

Concept 
A well established and long-standing bond exists between the representation of the forms and postures of the human figure and the expression of emotions. But how does this change when the body represented is deformed or mis-shapen? This is a question that an interdisciplinary range of scholars, covering a wide chronological period that extends from the Renaissance to the 20th century, will explore in the one-day Mis-Shapings conference.

Niccolò Boldrini, Caricature of the Laocoon, after Titian, 1540

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Mis-Shapings: abstracts

Here are brief descriptions of the papers that will be presented next September 13th at the Mis-Shapings conference.

Honoré Daumier, Le ventre législatif, 1834

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Mis-Shapings: speakers

Here are the bio-bibliographical profiles of the Mis-Shapings conference‘s speakers.

William Hogarth, Characters and Caricaturas, 1743

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