I’m pleased to announce the release of the new issue of the journal Emotions: History, Culture, Society, which includes my article Anger as Misshapen Fear: Fascism, Literature, and the Emotional Body.
I publish here the talk I’ve given at the Mis-Shapings conference last September 13 at Queen Mary University.
Do we believe in physiognomy? Do we believe, as the Italian anthropologist Cesare Lombroso did, that psychological, emotional, moral attitudes of the individuals can be divined by observing the shape and features of the face?
No, of course we don’t. Physiognomy is pseudo-science, dismissed knowledge, superstition. We can’t make assumptions merely relying on appearances. Can we?
Actually, we do. We do it in our daily life, often unintentionally. But even when we look at artworks we allow us to believe in physiognomy. Continue reading Caricature as emotional knowledge
On Thursday 13th September 2018 will take place at Queen Mary University of London (Mile End Campus, Arts One Building, Room 128) the international conference Mis-Shapings. The Art of Deformation and the History of Emotions. I’m organising the conference, as coordinator of the Marie Skłodowska-Curie research project Misshaping by Words, in association with the Queen Mary Centre for the History of Emotions.
A well established and long-standing bond exists between the representation of the forms and postures of the human figure and the expression of emotions. But how does this change when the body represented is deformed or mis-shapen? This is a question that an interdisciplinary range of scholars, covering a wide chronological period that extends from the Renaissance to the 20th century, will explore in the one-day Mis-Shapings conference.
What follows is the text of the paper I gave the 20 June 2017 at the International Conference «Fears and Angers. Historical and Contemporary Perspectives», Queen Mary University, 19-20 June 2017.
Probably Federico Fellini’s Oscar-winning movie, Amarcord, released in 1973, perfectly defines what was supposed to be the, as William Reddy would say, «emotional regime» of fascism. Enthusiasm, faith, happiness, and veneration for the Chief were the dominant public feelings endorsed by fascism. But, despite the public ceremonies being widely, and often sincerely, officiated by Italian people, fascism largely derived consensus from violence and intimidation.
I’m immensely happy to talk about the release of the book Galassia Ariosto. Il modello editoriale dell’Orlando Furioso dal libro illustrato al web, edited by Lina Bolzoni and published by Donzelli.
Galassia Ariosto is more than a book: it is the tip of the iceberg of the five-years project Looking at Words through Images run at the CTL – Centre for Data Processing of Texts and Images in the Literary Tradition, Scuola Normale Superiore di Pisa – and dedicated to the editorial galaxy grown during the Sixteenth century around the international success of Ludovico Ariosto’s Orlando Furioso. Particularly, the project addressed the spreading of illustrated books and the network of relations this editorial format established between texts and images.